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Where Do Songs Come From?
Thinking of songwriting as labor versus divine inspiration can be helpful in resisting the endless churn of big streaming.
Thinking of songwriting as labor versus divine inspiration can be helpful in resisting the endless churn of big streaming.
Plus two seriously good rock albums from artists barely into their 20s, scorching live-band R&B, and more
Chappell Roan’s Grammy acceptance speech applies to me and you, too.
Plus shroomy Detroit hip-hop and a wonderfully handmade-feeling ambient album
A Waste or Taste debate on the state of millennial pop girlies and Doechii’s post-Grammys victory lap
Yes, the Texas senator's cartoon villainy extends to the music industry.
The first dispatch includes replicant raves, RPG-soundtrack ambient jazz, communist trap music, and more.
Gregory Uhlmann, Josh Johnson, and Sam Wilkes make the most of negative space on “Frica.”
“Right now, it feels like we’re at this peak of disposability in all art.”
In the L.A. band’s music, the human and the machine are often indistinguishable.
Waste or Taste is back to discuss late December’s tastiest leftovers, from SZA’s ‘Lana’ to Timothée Chalamet’s Dylan
Somewhere within the imposing two-and-a-half-hour sprawl of ‘Music From the Merch Desk,’ there’s an Aphex Twin album that stands up to the best of his work.