Finding Infinity in SML’s Cyborg Jazz
In the L.A. band’s music, the human and the machine are often indistinguishable.
In the L.A. band’s music, the human and the machine are often indistinguishable.
Waste or Taste is back to discuss late December’s tastiest leftovers, from SZA’s ‘Lana’ to Timothée Chalamet’s Dylan
Somewhere within the imposing two-and-a-half-hour sprawl of ‘Music From the Merch Desk,’ there’s an Aphex Twin album that stands up to the best of his work.
The DIY live shows, YouTube loosies, local radio broadcasts—and OK, a few albums—that defined my year
In an era when seemingly every issue is hyper-partisan, opposition to the concert-industry behemoth is one thing we can all agree on.
What a funny, Miles Davis-related production error in ‘The Talented Mr. Ripley’ tells us about jazz, class, and—maybe, just maybe—America itself.
A helpful breakdown of the costs of live music from the National Independent Talent Organization.
Adam Granduciel on why the LinnDrum—an instrument heard on countless ’80s hits—is a songwriting tool he can’t live without.
The Waste or Taste team discusses Twigs’ ‘Eusexua’ era, the solo debut of Breeders/Pixies hero Kim Deal, and a new electronic genre with BPMs over 200
When disco hit, everyone from Frank Sinatra to the Grateful Dead tried their hand at the trend. Some of these attempts were more worthwhile than others.