Rachika Nayar on Disiniblud, Her New Project With Nina Keith

A snapshot from Smugglers Way and Hearing Things’ live listening event in New York City

Rachika Nayar on Disiniblud, Her New Project With Nina Keith
Photo by Ryan Dombal

On July 18, Smugglers Way will release Disiniblud, the self-titled collaborative debut from guitarist/producer Rachika Nayar and composer/multi-instrumentalist Nina Keith. Through processed guitar samples, transcendental glitch, twinkly synths and guest vocalists like Julianna Barwick, June McDoom, and Tujiko Noriko, Disiniblud has crafted a world that sounds like hope and love, the kind of record that embraces you in its wall of sound. 

On April 10, Hearing Things and Smugglers Way co-hosted an early listening session for fans in New York at Silence Please, a tea house and deep listening room with the most bonkers acoustics and a host of primary-colored speakers that look like they were built for the set of a wacky kid’s film. (They sell them, if you have like $5,000 to spare.) Guests sipped on fermented teas and sat on couches while Hearing Things’ Andy Cush DJ’d vinyl to open the night, and then Nayar sat in a leather chair and played Disiniblud from her laptop. (Keith could not attend.) Though around 100 people were in the blue-lit room, I heard not a peep through the entirety of its playback, as though it were church—we just let its soothing, healing, ecstatic vibes envelop us. Did I shed a tear? I’ll never tell. 

After we heard the album, Nayar and I sat down for a live Q&A, in which we discussed Disiniblud (pronounced “diz-knee-blood”), what “childlike wonder” means in relation to the album, and how sobbing and cuddling can translate to a song. A lightly edited transcript is below.

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