Ethel Cain Is Not Here for Your Amusement
With ‘Perverts,’ the spectral artist rejects encroaching fame with noisy static and echoes from the void.
Review
Albums, songs, and so on
36 articles
LiAngelo Ball’s “Tweaker” Will Have You Bent and Swerving
The basketball player-turned-rapper’s new single is less embarrassing than you might expect.
Bad Bunny ❤️ PR
The superstar finds freedom amid his homeland’s glories and struggles on ‘Debí Tirar Más Fotos.’
How Maze’s “Joy and Pain” Earned a Permanent Spot in the Black American Songbook
The soul band’s signature 1980 track taps into the small and fragile pleasures of enduring.
ML Buch’s Glistening Sound Bath Heals Brooklyn
The experimental-pop musician’s live show was a merciful reminder to slow the hell down.
Brooklyn Drill Trio 41’s “Chill Guy” Is the Platonic Ideal of Meme Rap
This surprisingly relaxed track is a dissociative vibe—whether you know the chill guy in question or not.
Give Estevie Her Cumbia Crown Now
On "Hombre Malvado," the young Mexican American cumbia-pop singer croons herself through a particularly hellacious breakup.
Fennesz and the Meaning of Ambient Music
After a quarter-century of thinking and writing about the Austrian producer’s work, I’ve reached a new understanding of what he’s trying to do.
Sky Ferreira Returns? We’ve Heard This Song Before
Unpacking the forever-embattled pop singer’s new single, “Leash”
Mach-Hommy Finally Drops the Mask at His First-Ever Solo Show
A deep dive into the elusive rapper’s debut performance at Manhattan's Lincoln Center.
Beckah Amani Just Wants You to Pick Up the Phone
The Tanzanian Australian folk-pop artist explores the peaks and pitfalls of love on “Call Home,” a highlight from her new album, ‘This Is How I Remember It.’
No One Does Ego Death Like Father John Misty
On ‘Mahashmashana,’ Misty’s main-character-syndrome folk-rock uncovers shiny new pearls of wisdom.
